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Philip Guston, Evidence, 1970

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Gerhard Richter, 48 Portraits (1998)   From SFMOMA’s website: Be it a rural landscape, a colorful gestural abstraction, or a black-and-white painting based on a family snapshot or image from the newspaper, a certain set of tensions consistently drives Richter’s work: belief versus skepticism, gesture versus erasure, planning versus chance, personal engagement versus objective neutrality.

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I so much prefer this heart to a heart made of glitter and/or frosting. Hooray for art hearts! sfmoma: A work of art for your Valentine’s Day: Jim Dine’s Blue Clamp (1981) | painting | acrylic on canvas with English C-clamp (via SFMOMA)

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Happy Birthday, Cindy Sherman!

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Vija Celmins, Untitled (Sky) Via Open Space